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BSG

J.D. Zelenka: Lamentatio I (complete, from ZWV 53)

BSG

16:22	Est. Play Time
150	Measures
	1,706Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo		23	0	10	8	96%
Contrabass		23	0	10	8	96%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo		23	0	10	8	96%
Contrabass		23	0	10	8	96%
Violin 1		28	0	11	11	75%
Violin 2		27	0	11	9	75%
Bass		16	0	5	9	74%
Viola		23	0	7	9	59%
Oboe 1		19	0	8	9	31%
Oboe 2		19	0	7	8	29%

T.L. de Victoria: Aestimatus sum

BSG

1:53	Est. Play Time
33	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor 2		11	0	2	6	97%
Bass 1		12	0	2	6	91%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor 2		11	0	2	6	97%
Bass 1		12	0	2	6	91%
Bass 2		10	0	2	6	76%
Tenor 1		10	0	1	6	64%

J. S. Bach: Contrapunctus XIV (extant torso, from BWV 1080)

BSG

8:40	Est. Play Time
239	Measures
	2,289Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		25	0	9	7	90%
		21	0	7	7	82%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		25	0	9	7	90%
		21	0	7	7	82%
		22	0	8	7	84%
		27	0	11	7	92%
Reed Contrabass		22	0	7	7	62%

Praise, my Soul, the King of Heaven (Lauda Anima) (with organ accomp. and newly-composed interlude (at Hauptwerk Doesburg ) and descant!)

BSG

6:56	Est. Play Time
133	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		20	29	7	4	98%
		17	4	4	3	62%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		20	29	7	4	98%
		17	4	4	3	62%
		23	17	7	4	100%
Alto		12	0	1	4	76%
Soprano		10	0	1	2	76%
Bass		17	0	4	4	57%
Tenor		10	0	1	4	57%
Descant		9	0	1	4	19%

J. S. Bach: Ach, Gott und Herr (per canonem), BWV 714

BSG

1:22	Est. Play Time
34	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		16	0	5	7	91%
Viola		10	0	3	4	68%
Violoncello		16	0	5	5	68%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		16	0	5	7	91%
Viola		10	0	3	4	68%
Violoncello		16	0	5	5	68%

J. S. Bach: Ich lasse dich nicht, du segnest mich denn (BWV 157, #1)

BSG

3:22	Est. Play Time
57	Measures
	1,948Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		23	0	8	4	100%
Cto		23	0	8	4	100%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		23	0	8	4	100%
Cto		23	0	8	4	100%
Oboe		21	0	7	7	96%
Violin		24	0	9	8	93%
Flute		21	0	8	8	91%
Bass		16	0	5	7	60%
Tenor		18	0	6	7	60%
FluteXEC		8	0	4	1	9%
OboXec		5	0	2	1	7%

J.S. Bach: Fuga Gm (BWV 542.2)(rec. on Zwolle (1720 Schnitger, Sonus Paradisi/Hauptwerk))

BSG

6:33	Est. Play Time
115	Measures
	1,296Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		27	2	10	8	97%
		36	0	13	6	92%
		26	0	10	6	58%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		27	2	10	8	97%
		36	0	13	6	92%
		26	0	10	6	58%

C. Wesley: Lo! He comes, with clouds descending (Helmsley) (arr. BSG 2016)

BSG

4:55	Est. Play Time
104	Measures
	1,402Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		16	1	3	6	100%
		16	0	2	6	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		16	1	3	6	100%
		16	0	2	6	100%
		13	6	2	6	100%
Voice		10	0	0	6	75%
		10	0	0	6	75%
Bass Trombone		16	0	2	5	25%
Descant		10	0	0	5	25%

J.S. Bach: Kyrie II from B Minor Mass (BWV 232, #3)

BSG

4:32	Est. Play Time
59	Measures
	1,535Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Vcl/Cb/Cto		26	57	9	6	99%
		23	0	8	6	100%
View all 14 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Vcl/Cb/Cto		26	57	9	6	99%
		23	0	8	6	100%
Contrabass		23	0	8	6	100%
Vcl/Cb.		23	0	8	6	100%
Tenor		17	0	7	6	97%
Viola		17	0	7	6	97%
Alto		17	0	7	5	86%
Violin 2		17	0	7	5	86%
Ob. d'Am		23	0	9	5	85%
Flute		16	0	6	4	76%
Soprano		16	0	6	4	76%
Violin 1		16	0	6	4	76%
Bass		20	0	7	5	75%
Fagotto		20	0	7	5	75%

T.L de Victoria: Eram quasi agnus

BSG

2:19	Est. Play Time
54	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		13	0	2	6	98%
Soprano		14	0	4	6	98%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		13	0	2	6	98%
Soprano		14	0	4	6	98%
Tenor		10	0	2	6	94%
Baritone		12	0	3	6	59%

J.S. Bach: Duetto: Gott, du hast es wohl gefüget (BWV 63, #3)

BSG

3:10	Est. Play Time
44	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo		23	0	7	3	100%
Realization		20	57	8	8	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo		23	0	7	3	100%
Realization		20	57	8	8	100%
Oboe		20	0	8	9	74%
Bass		15	0	3	5	67%
Soprano		17	0	6	7	64%

J. S. Bach: Ein' feste Burg ist unser Gott (BWV 80/I)

BSG

7:36	Est. Play Time
228	Measures
	3,159Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		18	54	7	4	33%
		26	0	10	7	96%
View all 16 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		18	54	7	4	33%
		26	0	10	7	96%
Vcl		26	3	10	7	96%
Tenor		18	0	7	5	86%
Viola		18	0	7	5	86%
Alto		18	0	6	6	84%
Violin 2		18	0	6	6	84%
Soprano		18	0	7	5	79%
Violin 1		18	0	7	6	79%
Bass		17	0	5	6	71%
Tromba 1		14	0	2	6	38%
Ped		10	0	2	5	33%
Trombone		10	0	2	5	33%
Tromba 2,3		11	20	1	4	22%
Timpani		2	0	0	3	21%
Oboe		13	16	3	5	20%

J. S. Bach/Tovey: Contrapunctus XIV (D. F. Tovey completion)

BSG

11:32	Est. Play Time
317	Measures
	3,431Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		26	0	9	7	91%
		22	0	8	7	86%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		26	0	9	7	91%
		22	0	8	7	86%
		22	0	8	7	87%
		27	0	11	8	92%
Reed Contrabass		25	0	8	7	70%

J. S. Bach: Kyrie I (Missa H-moll, BWV 232)

BSG

10:12	Est. Play Time
127	Measures
	3,611Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
CB		27	0	9	7	100%
Org e cto		27	0	9	7	100%
View all 15 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
CB		27	0	9	7	100%
Org e cto		27	0	9	7	100%
Vcl/Cb		27	0	9	7	100%
Ob. da Cacc.		25	2	10	7	98%
Flute		22	1	9	7	90%
Bassoon		24	0	8	7	88%
Viola		26	0	10	6	88%
Violin 2		25	0	11	7	85%
Violin 1		24	0	8	7	84%
Tenor		19	0	7	6	72%
Alto		21	0	8	6	67%
Bass		21	0	8	7	62%
Soprano 1		22	0	8	6	61%
Soprano 2		20	3	8	6	53%
Church Organ		10	0	4	3	2%

J.S. Bach: Coro: Herr, unser Herrscher (BWV 245 (Johannespassion), #1)

BSG

8:48	Est. Play Time
96	Measures
	3,564Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon		18	0	7	3	100%
Contrabass		18	0	7	3	100%
View all 14 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon		18	0	7	3	100%
Contrabass		18	0	7	3	100%
Vcl./Fagotto		18	0	7	3	100%
Viola		26	0	12	3	100%
Violin 1		28	0	10	3	100%
Violin 2		28	0	10	3	100%
Fl./Ob. 1		22	0	9	6	98%
Flute 1		22	0	9	6	98%
Fl./Ob. 2		21	0	8	6	95%
Flute 2		20	0	8	6	95%
Bass		22	0	9	6	78%
Tenor		20	0	8	5	78%
Alto		21	0	7	7	76%
Soprano		22	0	9	6	76%

J. S. Bach: Sei nun wieder zufrieden, meine Seele (BWV 21, #9)

BSG

9:04	Est. Play Time
216	Measures
	5,056Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Org. Cto.		21	87	7	3	92%
		22	0	6	4	100%
View all 15 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Org. Cto.		21	87	7	3	92%
		22	0	6	4	100%
Contrabass		22	0	6	4	100%
Vcl		22	0	6	4	100%
Alto		18	0	6	6	91%
Basso		19	0	6	5	86%
Soprano		14	0	4	6	78%
Tenor		14	0	4	5	75%
Trombone		17	1	6	6	53%
		21	8	6	5	57%
Viola		14	0	4	5	46%
Violin 2		17	0	6	6	44%
Bassoon		18	0	5	4	41%
Oboe		10	0	3	3	29%
Violin 1		9	0	2	1	27%

Handel: Cara Sposa from Rinaldo (audio rendition by @SDG)

BSG

3:26	Est. Play Time
91	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin 2		21	0	6	6	97%
Violin 1		21	0	5	7	95%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin 2		21	0	6	6	97%
Violin 1		21	0	5	7	95%
Viola		18	0	4	5	93%
Bassi		22	0	5	4	75%
Rinaldo (Alto)		16	0	6	7	75%

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